On songs like "Marijuana's A Working Woman," Barnes revisits themes of psychedelia using pulsating synths over their instantly recognizable bass playing. On Of Montreal's latest album, Freewave Lucifer f ck f ck f ck, Barnes continues to push the boundaries of what pop music can be. The band has also performed across the globe, with festival appearances at Coachella, Sasquatch!, Pitchfork Music Festival and others, as well as hundreds of millions of streams worldwide.
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Barnes' influence on pop music is undeniable, with multiple late night TV appearances, including The Late Show With David Letterman and Late Night with Jimmy Fallon, as well as brilliant collaborations with the likes of Solange, Janelle Monáe, Jon Brion, and others. Barnes' songwriting and production aesthetic has since become iconic in the industry and has garnered massive critical acclaim in publications such as Rolling Stone, The New York Times, NPR, and Pitchfork, who described the band's album, Hissing Fauna, Are You The Destroyer? as "ceaselessly fascinating and inexhaustibly replayable," as well as ranking it as the #5 album of the year. Over the course of the last two decades, Of Montreal's creative force, Kevin Barnes, has been wowing fans with their vast catalog of endlessly fascinating pop and mesmerizing live shows. Camerieri (who has also arranged strings for Sufjan Stevens, Antony & the Johnsons & The National).
Perhaps most strikingly, contributions from two different vocal choirs (Bells of the Lakes & Lutheran Bells) & gorgeous string arrangements courtesy of yMusic co-founder C.J. Through the weeks, musicians (local & non-local) would come & go, putting their own thumbprints on this bible. The sounds all jumbled together with snatches of observations, words torn from the headlines in Minneapolis-bumper stickers on the freeway, or graffiti from outside that decommissioned paint factory. All tied together with Wagner’s own voice, born from a perspective on his own life inspired by taking care of his father at the end of his life. Jazz careening into country, into disco, into funk, and back to country. The music on The Bible is more unpredictable than it’s ever been on a Lambchop record. “And if you put them together as a team, they represent me.” Good thing, because this would be the first time Wagner let somebody else-people who weren’t even from Nashville-produce a Lambchop record. “Ryan and Andrew, they’re like two sides of my personality,” Wagner says. Olson contributes greatly to the album, both with arrangements & production. Wagner would find an immediate musical spark with Broder & his musical partner Ryan Olson (Gayngs, contributor to Taylor Swift's Evermore). And then Wagner found himself in Minneapolis, in the sweltering summer of 2021, in a decommissioned paint factory turned practice space. “Dude, I’ll get you in a studio,” he says, “you just go in there for like three or four hours and do your thing.” Broder sent him back twelve 20 minute-long pieces. After watching the livestream, he called Broder up. Broder was one in a group of Minneapolis musicians Wagner had met prior to the pandemic through mutual friend Justin Vernon (Bon Iver). The story of The Bible begins with Wagner up in the middle of the night during the first year of the plague, watching his new friend from Minneapolis, Andrew Broder, play a Wurlitzer on Instagram Live. The never-ending psychedelic web of Kurt Wagner's Lambchop continues to unravel on September 30th with a new album titled The Bible. Where The Crawdads Sing (Original Motion Picture Soundtrack)ĭouble LP on grey & white marble vinyl housed in same packaging as the standard version. Stars And Satellites: 10 Year Anniversary KISS Off The Soundboard: Live In Des Moines The Man From Waco įreewave Lucifer f-ck f-ck f-ck
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